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Amélie Conservation

conserving paper works of art

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Tag: Indian painting conservation

Posted on 08/12/2022

Online lecture on my ongoing conservation and research project (Tuesday 13th December 2022)

Next Tuesday, I will give an online lecture on my project to research and conserve the Pahari drawing and painting collection of the Museum Volkenkunde.…

Continue reading → Online lecture on my ongoing conservation and research project (Tuesday 13th December 2022)

Posted on 08/09/202208/09/2022

Mounting a double-sided folio in hyperlapse

For each drawing and painting, I make a float mount using a sheet of Japanese paper in which a window is cut to allow viewing…

Continue reading → Mounting a double-sided folio in hyperlapse

Posted on 07/09/202207/09/2022

The mounting of a painting with dust-cover using photo-corners: a longing heroine braves the storm

The project on the Pahari works of the Museum Volkenkunde is going well. I am currently mounting the 134 paintings and drawings using methods tailored…

Continue reading → The mounting of a painting with dust-cover using photo-corners: a longing heroine braves the storm

Posted on 07/09/202207/09/2022

Lecture at the 36th Biennal Congress of the International Association of Paper Historians in Krems (Austria)

Handmade papers used for the production of Pahari drawings from the 19th century-north western India. The conference was entitled Paper of Graphic Art and showcased…

Continue reading → Lecture at the 36th Biennal Congress of the International Association of Paper Historians in Krems (Austria)

Posted on 11/05/202112/05/2021

Tools and tips for the conservation of Indian miniature paintings

The nanomister I recently purchased this device and am very happy with it. There are literally thousands of models online, so it's hard to find…

Continue reading → Tools and tips for the conservation of Indian miniature paintings

Posted on 12/03/202113/03/2021

Souvenir from an imaginary city: decrypting and conserving an enigmatic urban depiction from nineteenth-century northern India.

My thanks go to Shivani Sud for her opinion on the possible origin of this painting. Shivani is currently preparing her upcoming PhD dissertation, "The…

Continue reading → Souvenir from an imaginary city: decrypting and conserving an enigmatic urban depiction from nineteenth-century northern India.

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