Dutch or Iranian? Technical study of a seventeenth-century painting on paper from Gesina Ter Bosch’s scrapbook, Amélie Couvrat Desvergnes, Leila Sauvage, Jan de Hond, Paolo D’Imporzano, Mathias Alfed, Heritage Science, Article number: 119 (2021).

Cut-Out Calligraphy from the Fifteenth and Sixteenth Centuries: Discussion of Its Origins and Significance and Observations on the Techniques and Tools Used, in Journal of Material Cultures in the Muslim World 2 (2021) 3–31.

Introduction to the Conservation and Research Project on Pahari Drawings from the Museum Volkenkunde, Leiden, The Netherlands, in Conservation Insights 2020 Lectures, INTACH New-Delhi, p. 240-46.

An Iranian Youth in an Album from Zwolle, Jan de Hond, Amélie Couvrat Desvergnes, Leila Sauvage, Forough Sajadi, Paolo D’Imporzano, The Rijksmuseum Bulletin, Vol. 68 No. 3 (2020) 

Indian drawings from the Rijksmuseum: an insight into their production, their purpose and their significance, in postprints ICON Conference, 3-5 October 2018, A. Bainbridge Ed., 2020.

Pratiques anciennes de préservation et enjeux de la conservation actuelle : étude des éléments historiques rencontrés dans les manuscrits islamiques, in La peinture et l’écrit au Moyen-Orient, supports et tracés, 2018.

Pahari paintings from the Rijksmuseum: techniques of production and conservation, in Aziatisch Kunst, 48/1, 2018.

Couvrat Desvergnes A., Vanden Berghe I. Dyestuff identification and significance of interleaves from Moroccan manuscripts of Dalā’il al-Khayrāt in Studies in Conservation, April 2017.

Qajar Women, Images of Women in the 19th-century Iran, Mounia Chekhab Abudaya, Nur Sobers-Khan, Compte rendu du catalogue d’exposition,  in Chroniques du Manuscrit au Yémen, 24, 2017.

“Fixing the powder, the consolidation of the gouaches from album MIA.2014.189”, in Qajar Women exhibition catalogue, 2017, Doha, Qatar.

” Identification et signification des serpentes rencontrées dans les copies marocaines du Dalā’il al-Khayrāt: premiers résultat”, in Chroniques du Manuscrit au Yémen, numéro 22, Juillet 2016.

Chekhab-Abudaya M., Couvrat Desvergnes A. Roxburgh D., Sayyid Yusuf’s 1433 Pilgrimage Scroll (Ziyaratnama) in the Collection of the Museum of Islamic Art, Doha, in Muqarnas, a Annual on the Visual Cultures of the Islamic World, Vol.33, 2016, Brill.

“Skin against paper: identification of historical interleaving materials in Indo-Iranian manuscripts”, in the Book and Paper Group Annual, The American Institute for Conservation, Vol. 34, 2015.

“De l’importance de l’histoire et des techniques  pour la restauration d’un Coran Safavide ”, in Conservation Restauration des Biens Culturels, ARAAFU, number 32, Paris, January 2015.

“The conservation of the Islamic book bindings of the Department of Islamic Art, Musée du Louvre”, in Journal of Islamic manuscript 5, 2014, Brill, Leiden.

“Of Books & men: Past cultural practices and methods of Islamic manuscripts preservation in Iran and India”, PART I: identification of historical interleaving materials used in the Iranian and Indian manuscripts, in COMSt e-newsletter, January 2014. PART II: Protecting Indo Islamic manuscripts, cultural human behaviours for pest control, in COMSt e-newsletter, July 2014.

Catalogue entries in Ferozkoh: tradition and continuity in Afghan art, Ed. Leslee Michelsen, Bloomsbury Qatar Foundation Publishing, 2013.

“La miniature Indienne: support, technique et consolidation”, in Support Tracé, ARSAG Publication, 2003, n°3.