Conservation and preservation of western works of art on paper and books.
Islamic and Indo-Islamic manuscripts and paintings on paper.
I am an independent conservator working on paper artworks, books, maps, posters, 3D paper objects, and modern art. I received my M.A. in Conservation from the University Panthéon-Sorbonne-Paris in 2002. I completed placements at la Bibliothèque Nationale de France, the Victoria & Albert Museum, the Tate Britain, the National Museum of Hungary, and the National Museum of India in New-Delhi.
After working for ten years as a freelancer in France, five years at the Museum of Islamic Art in Qatar, and two years at the Rijkmuseum in Amsterdam, I opened my own practice in Utrecht, in the Netherlands.
I conserve and care for western drawings, prints, books and any objects on paper using international standard conservation methods and materials.
I specialize in the conservation and care of Islamicate manuscripts and Indian miniatures.
I have conducted several research projects on the materiality of Islamicate manuscripts and Indian miniatures.
In: Care and conservation of manuscripts 18, Proceedings of the eighteenth international seminar held at the University of Copenhagen 14th–16th April 2021, Edited by M.J.…
Unlike the Mughal miniatures which were framed with sumptuous borders made of gold-flecked, painted, gilded and marbled paper, the borders of the Pahari works were…
Continue reading → The art of borders in Pahari paintings: description and conservation
Last week, I gave a two-day course on paper technology in Arab lands to the conservation team of the Franciscan Archives in Malta.The course has…
Continue reading → Course on paper history and technology in the Western Islamic lands
Amélie Conservation 
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